#Misshapen chair face reveal movie

#Misshapen chair face reveal movie

When they spoke, Cronenberg told him 'apparently we made a hit movie together.' Cronenberg and Pogue didn't actually meet until after the film had come out. Pogue was ultimately booted off the project once again once David Cronenberg demanded to be able to re-write the script to his own satisfaction, as a condition of coming on board to direct. It was decided that Green's draft was even worse than Pogue's, so he was fired and Pogue was re-hired. Pogue was therefore booted off the project, and Walon Green was hired in his place.

Brooks agreed to allow Cornfeld to use Brooksfilms to produce the picture, but decided a new writer was needed. Ohman ultimately found producer Stuart Cornfeld, who had previously produced Людина-слон (1980), and therefore knew Mel Brooks. Ohman finally convinced Fox to distribute the picture if they could get someone else to finance it. Not only would they not finance the picture, they refused to relinquish the rights so that Ohman and Pogue could take it to another studio. After reading Pogue's first draft, however, they rescinded the offer. They pitched the idea to Twentieth Century-Fox, who agreed to finance it. He had recently landed Charles Edward Pogue as a client, and suggested that he should be the one to write it.

Mick Garris also wrote a treatment, with elements incorporated into the final film.Ĭo-producer Kip Ohman was the person who originally had the idea of remaking the original film. However, a later treatment written by Jim Wheat and Ken Wheat was used as the basis for the final script, written by Frank Darabont. Geena Davis was open to doing a sequel (and only pulled out of Муха 2 (1989) because her character was to be killed off in the opening scene), while Goldblum was not (although he was okay with the cameo), and this treatment reflects that. David Cronenberg endorsed the concept at the time. Eventually, Veronica frees Brundle by conspiring with him to reintegrate a non-contaminated version of his original body. Brundle becomes able to communicate with Veronica through the computer, and he eventually takes control of the Bartok complex's security systems to gruesomely attack the villains.

Brundle's consciousness had somehow survived within the Telepod computer, and the Bartok scientists had enslaved him and were using him to develop the system for cloning purposes. An early treatment for a sequel, written by Tim Lucas, involved Veronica Quaife dealing with the evils of the Bartok company.